Energetic, roly-poly singing actress best known as the housekeeper/star of the 1980s NBC sitcom "Gimme a Break", Manhattan had made her mark on stage earning both an Obie and a Tony for her work in the 1977-78 Fats Waller musical "Ain't Misbehavin'". She became a beloved TV performer, but a near-deadly bout with an aneurysm and other woes put her out of commission for much of the early 90s.
Carter was a musical performer in New York on and off-Broadway throughout most of the 70s, beginning with the musical "Soon" (1970), better known for launching Richard Gere. She was in the ensemble cast of "Don't Bother Me, I Can't Cope" in the early 70s at the Edison Theatre, and in 1977 joined the Manhattan Theatre Club presentation of "Ain't Misbehavin'", a collection of the works of Fats Waller, emerging from the show as a hot property. Although she had briefly been in the cast of the ABC daytime drama "Ryan's Hope" in 1975, Carter had not been on a primetime series until NBC slotted her into "Lobo" in 1980, as a sassy police sergeant. The low-brow series faltered and the following season Carter starred in "Gimme a Break" (1981-87), an NBC sitcom in which she was a singer who had become the housekeeper for the police chief in a small California community. Carter also sang the show's title song. By the time the series ended, her character had moved to New York City. In 1990, she was in the short-lived series "You Take the Kids" and from 1993 to 1995, she appeared in the recurring role of Mark Curry's boss in the ABC sitcom "Hangin' with Mr. Cooper". Carter also appeared in a few TV-movies, including the musical "Cindy" (ABC, 1978), in which billed as Nell-Ruth Carter she played one of the stepsisters in a send-up of the Cinderella story. She also played the mother of ill-fated athlete Hank Gathers in "Final Shot: The Hank Gathers Story" (syndicated 1992) and was a diva who hires Dinah Manoff as a servant and then gets handcuffed to her as they flee for their lives in "Maid for Each Other" (NBC, 1992). Carter's appearances in musical specials have also been numerous, among them a guest appearance on "Baryshnikov on Broadway" (ABC, 1980); recreating her stage role in "Ain't Misbehavin'" (NBC, 1981); and as one of the performers in "Evening at the Pops" (PBS, 1987).
Carter's feature film appearances have been limited. She was a singer in the "Black Boys/White Boys" number in Milos Forman's "Hair" (1979), and played small roles in "Modern Problems" and "Back Roads" (both 1981). In 1992, Carter offered one of the key voices for the animated feature "Bebe's Kids". She has also performed in Las Vegas, headlined a 1991 Los Angeles revival of "Hello, Dolly!" with an African-American cast and played the villainous Miss Hannigan in the 1996-97 revival of the stage musical "Annie".
BABES IN ARMS To Have Broadway Revival; O'Donnell To StarBroadway World, NY(with Nell Carter); Pal Joey (with Dixie Carter, Elaine Stritch); Strike Up the Band (with Tom Bosley). "The 2001 Tony Award® Telecast" (opening number). He has received the Los Angeles Drama Critics, Los Angeles Dramalogue, Bay Area Critics,
Ain't Misbehavin' Tour, with Studdard and Davis, Plays the Bronx Playbill.com, NYThe original 1978 Broadway production made a star out of its leading lady, the late Nell Carter, and featured such Fats Waller tunes as "Mean to Me," "Honeysuckle Rose," "Black and Blue" and the title tune. The musical won Tonys for Best Musical,
Bea Arthur, Sing Us OutNew York Post, NYSo as plenty of "Golden Girls" episodes get millions of views online, take a look at this rare gem of a video where Bea and the rest of NBC's biggest stars from the 1980s -- Nell Carter, Charlotte Rae, Soleil Moon Frye, Marla Gibbs and Alfonso Ribeiro
Home plate wedding and Abilene historyAbilene Reporter-News, TX Chris Pettigrew; Gretchen Girdner Tucker; Betty Lou Miller Giddens; special guests: Marj Sledge; Jerry and Nell Carter and their 9-year -old granddaughter on spring break Aslan Carter, whose parents are Craig and Lisa Carter, of Austin.
the original production, the performance serves as a tribute to black musicians of the 1930s in Harlem. It would later launch Nell Carter into stardom.
New York Post
News 8 Austin